Imagine just for a moment… …you’re a young man living in ancient Maui
in the mid 16th Century
Imagine for a moment you’re a teenage boy living on the slopes of Haleakala in the mid 15th century.
Since you were a boy you had a fascination with canoes, the ancient Hawaiian version of a new car. You have lived in your parents kuahale (ancient house complex) with eight other people as a child. At around the age of 9 or 10 (it’s hard to know since Hawaiians didn’t count years of birth) your interest in canoes peaked, so you moved in to live with the canoe Kahuna (expert) where you learned the craft of building and maintaining canoes. Your brother had a similar experience in the forest. He loved being in the ancient forest of koa, ohia and sandalwood trees that towered over 100ft into the clouds along the slopes of Haleakala volcano. Your brothers skills became that of a birdcatcher – their feathers were used to adorn the clothing of the Ali’i (chiefs or ruling class) and this region was renowned throughout the Hawaiian islands for the vibrant colors of Haleakala’s forest birds.
The kahunas (called a Kalai Wa’a – canoe experts/teacher and a Kia Manu – bird catching expert) who trained you and your brother have determined, after consulting the stars, the weather, nature signs and time of year, have performed various ceremonies and sacrifices. They have determined that the gods approve and it is time for both you and your brother to venture into the forest to test your skills. You are instructed to consult your own dreams and decide when you are ready to leave on your quest. Soon all signs are in balance and the two of you depart. The drumming, singing and dancing of your village’s kuahale (house complexes) and ohana (family) accompany you as you hike up the slopes towards the towering forests above.
After a steady climb through grass and shrub covered slopes you reach the treeline by early evening and enter the upper forests. Your brother heads towards the ohia lehua (native flowering tree) grove a short distance away while you search the tall koa trees nearby.
You walk quietly, looking and listening for the perfect koa tree that will become your canoe. You remember in your teachings that if there are many forest birds creating lots of activity and noise in a tree, it could be full of insects and rotten inside. Your kahuna’s training has taught you that a clean straight tree of around 15 to 20 feet tall and around 2 ½ to 3 feet in circumference with minimal bird activity in and around it is ideal. Having found your tree you gather wood and build a fire.
As the sun begins to set your brother returns with great news of sighting mamo and o’o birds (yellow and rare) and many akakapi and i’iwi (red) birds in his ohia forest area. There is much excitement between you two. You have both found that for which you came. After the fire is kindled you get a chip from the chosen koa tree and burn it in the fire while singing prayers to the canoe gods: to Kupulupulu, Kumokuhali’i, Kuolonowao, Kupepeiaoloa, Kuho’oholo-pali, Kupa’aike’e, Kanealuka, and various others. Your brother does likewise – praying aloud to the forest and bird gods.
Soon you begin cooking the food you brought with you. Pork, which is sacred to the gods, is cooked as an offering and as a meal. Sweet potato, poi (taro root pounded to a paste) breadfruit, lau lau (fish,salt & pork fat wrapped in taro leaves and steam cooked by your family) and some ohi’a ‘ai (mountain apples) you picked along the way will hopefully last the two to three weeks you’ll be here in the forest. You then eat the food you’ve prepared and offer some to the gods. You take great care in attending to the rituals and protocols for cutting a koa tree. Failure to get it right could result in a cracked canoe.
You’ve spent months fashioning your first stone adze (sharpened basalt rock and attaching it to a handle) in anticipation of felling this tree and carving your first canoe. As a strong young man using these stone adze it will take you several days to fell the tree. (today a strong man with a steel ax can fell such a tree in half an hour) After digging down to the roots you begin to chisel away at the tree. Carefully you begin to notch the trunk in the direction you have chosen it to fall. The trunk must land in a position that it can first be dug out, then slid down the mountain to the sea.
In Haleakala’s Forest
Meanwhile your brother is off to the Ohia forest nearby. He sits in the grove watching the birds, taking note of which trees they frequent at what times. He knows from his kahuna’s teaching that the morning is the most active for the birds. He selects several trees which he will return to in the morning to set his trap.
He also notices beaten paths in the forest. These are wild boar trails that he will also position a snare upon. Catching one of these hogs will feed the two of them for the several weeks that they plan to be here in the forest. They have food for a few more days so he will wait to set his trap. No need to spook the animals until they need to catch one. He also finds a spring (his kahuna told him of it’s location) and fills his gourd calabash to bring back to his hard working wood chopping brother.
On his way back he stops to admire the view, giving thanks and offer prayers to the gods as he looks down the slopes towards the ocean. From this elevation he can see three islands; Kahoolawe directly ahead, the Big Island to the left, Lana’i just beyond Kahoolawe and the West Maui Mountains to the right. The sweeping view is as spiritual to him as it is beautiful. He sings a chant to the gods as he nears camp, alerting you of his presents.
As the days go by your brother returns every day with captured birds. His kapa cloth bag begins to fill with red feathers. A smaller bag holds the coveted yellow feathers of the O’o, Mo’o and Mamo. The Akakani and i’iwi (red) birds are plentiful. These he will skin and eat. The rare yellow birds have kapu (restrictions) against killing them so they are plucked of a few precious feathers and released.
All these things will be hauled down the mountain in your canoe. While you were out foraging the men, under instruction from your Kahuna have drilled holes in the hull with stone tools and fastened ropes of braided coconut fibers to the rough carved canoe. The group will maneuver and guide the hull down the grassy slopes to the shoreline where the canoe will cure for 2 to 3 weeks before final shaping can begin.
Your village elders, kahuna and family will benefit greatly from your efforts as a canoe builder for the rest of your life. Your skills and training have many years of hard work ahead but both you and your brother have found your calling as future artisans of great respect and honor within the ancient Hawaiian society…
This story is of fictional characters but based on what we know of the ancient Hawaiian society and culture compiled from the resources and references below…
Hawaiian History References
Mary Abigail Kawenaʻulaokalaniahiʻiakaikapoliopelekawahineʻaihonuainaleilehuaapele Wiggin Pukui (20 April 1895 – 21 May 1986), known as Kawena, was a Hawaiian scholar, dancer, composer, and educator. She published more than 50 scholarly works. She is the co-author of the definitive Hawaiian-English Dictionary (1957, revised 1986), Place Names of Hawaii (1974), and The Echo of Our Song (1974), a translation of old chants and songs.
Her book, ʻŌlelo Noʻeau, contains nearly 3,000 examples of Hawaiian proverbs and poetical sayings, translated and annotated. The two-volume set Nana i ke Kumu, Look to the Source, is an invaluable resource on Hawaiian customs and traditions. She was a chanter and hula expert, and wrote lyrics and music to more than 150 Hawaiian songs.
Samuel Manaiakalani Kamakau (October 29, 1815 – September 5, 1876) was a Hawaiian historian and scholar. His work appeared in local newspapers and was later compiled into books, becoming an invaluable resource on the Hawaiian people, Hawaiian culture, and Hawaiian language during a time when they were disappearing.
Along with David Malo and John Papa ʻĪʻī, Kamakau is considered one of Hawaii’s greatest historians, and his contributions to the preservation of Hawaiian history have been honored throughout the state of Hawaiʻi
In 1961, the Kamehameha Schools Press published Kamakau’s first two series as a book entitled Ruling Chiefs of Hawaiʻi. Three years later, in 1964, the Bishop Museum Press published his last series as a trilogy, entitled Ka Poʻe Kahiko: The People of Old, The Works of the People of Old: Na Hana A Ka Poʻe Kahiko, and Tales and Traditions of the People of Old: Na Moʻolelo A Ka Poʻe Kahiko. A revised edition was published in 1992
Legends and Myths of Hawai’i by his Majesty King Kalakaua – introduction by Hon R.M. Daggett – Published by Charles L Webster & Company 1888
< ahref="//storyofhawaiimuseum.com/the-story-of-hawaii/hawaiian-history-moment">Hawaiian History Moment
Kua’aina Kahiko: Life and Land in Ancient Kahikinui, Maui by Patrick Vinton Kirch – Author & Professor of Anthropology at UC Berkeley
Shark Going Inland Is My Chief – Author Patrick Vinton Kirch
Feathers and Fishhooks – Author Patrick Vinton Kirch
Kamehameha Schools – Living Hawaiian Culture site
Mahalo for visiting and taking an interest in the Hawaiian culture…Aloha Nui Loa!